Wednesday, May 23, 2012
End of disc 1. Insert disc 2.
Or don't and watch disc 1 all over again. Analyze the good and the bad parts. Learn up the lines and obsess over it. Do you know the intertia you feel when the fucking dvd makes you get up so you can watch the second part of a movie. It's these little movements that irritate me. And what's worse is when you make all the effort and actually do change the disc, to find disc 2 scratched. That it doesn't play smooth. That it doesn't go beyond a point. I don't know shit of what I'm saying. I've been reading too much Bukowski. And I'm drunk.
Good night.
Friday, May 18, 2012
A Clash Of Kings
"These are Knights of summer" said Lady Catelyn "they will start shedding at the first sign of winter".
Tuesday, May 15, 2012
A Storm Of Swords
“But I am not certain it was in Rhaegar to be happy.”
“You make him sound so sour,” Dany protested.
“Not sour, no, but... there was a melancholy to Prince Rhaegar, a sense...” The old man hesitated again.
“Say it,” she urged. “A sense... ?” “... of doom. He was born in grief, my queen, and that shadow hung over him all his days.” Viserys had spoken of Rhaegar’s birth only once. Perhaps the tale saddened him too much. “It
was the shadow of Summerhall that haunted him, was it not?” “Yes. And yet Summerhall was the place the prince loved best. He would go there from time to
time, with only his harp for company. Even the knights of the Kingsguard did not attend him there. He liked to sleep in the ruined hall, beneath the moon and stars, and whenever he came back he would bring a song. When you heard him play his high harp with the silver strings and sing of twilights and tears and the death of kings, you could not but feel that he was singing of himself and those he loved.”
Monday, May 14, 2012
Game of Thrones II
"And why do you show this kindness to my brother, Imp?", Tyrion seemed to take no notice of the slight and said, "I have a soft corner in my heart for bastards, cripples and broken things."
Saturday, April 28, 2012
A Game of Thrones I
“Is there a man in your service that you trust utterly and completely?”
“Yes,” said Ned.
“In that case, I have a delightful palace in Valyria that I would dearly love to sell you,”
Littlefinger said with a mocking smile
Saturday, March 31, 2012
Forgiveness
Forgiveness is not a sign of strength. It is an indication of a lack of conviction. Vengeance is not a sign of strength either. It is simply an indication of one's lack of creativity. "Fucking hell, he slapped me! Fucking! I'll slap him!". See what I mean? A severe lack of creativity.
Why is the Godfather such a great movie?
Besides the fact that Copolla is a magician working with two demi-gods (Al Pacino and Marlon Brando), the theme of the movie is gratification of whatever kind, bound by pragmatism. The movie doesn't pander. At no point does it slip it's hands into your pants and tries giving you a boner. It undresses in the most natural way.
It's why Al Pacino seems so real. Because at no point through the series does he make a decision to make you feel better about the world. He finds out about the fact that the mole from within his organization was his brother. Unlike most stories, where he'd forgive him or go after him, he does neither. He proves himself strong enough to be indifferent. You can feel the one million mutinies in his body, the many revolts amongst his many sensations, when he takes Fredo's face in his hands, with a strange conviction and kisses him with the kind of spite that only a brother can warrant, he looks into Fredo's eyes and expresses himself as simply as he can, "I know it was you Fredo, you broke my heart". Fredo eventually has to die. Not because of vendetta or karma. He has to die because of the principle of causality. He has to die because a system has to work and he isn't strong enough to let the system sacrifice someone else or change the system. He has to die because, that is what happens to the traitors when a plan to de-throne the Emperor fails. It doesn't matter who you are. Brother, lover, friend. The Emperor is the emperor before being any of these things. And if precedent, convention and causality call for death, a dispassionate death, one even without a simple motivation of vengeance, so be it.
You see what this system of forgiveness doesn't take into account is the fact that a mistake is accidental. A mistake can be forgiven. But a plot to de-throne the Emperor, isn't a mistake. It's a bad decision. And by the principal of causality all bad decisions must live through their consequence, "one ill turn deserves another". I'm only writing this because of the astonishing number of people who don't understand the difference between 'a bad decision' and a mistake. Because of the number of people who've tried to teach me the virtues of forgiveness. People have to go long distances to earn forgiveness. Earn being an important verb. I hate it when 'forgive' becomes the verb. Forgiveness must be earned, not gotten. It's hard to earn forgiveness. Judas had to hang himself.
Why is the Godfather such a great movie?
Besides the fact that Copolla is a magician working with two demi-gods (Al Pacino and Marlon Brando), the theme of the movie is gratification of whatever kind, bound by pragmatism. The movie doesn't pander. At no point does it slip it's hands into your pants and tries giving you a boner. It undresses in the most natural way.
It's why Al Pacino seems so real. Because at no point through the series does he make a decision to make you feel better about the world. He finds out about the fact that the mole from within his organization was his brother. Unlike most stories, where he'd forgive him or go after him, he does neither. He proves himself strong enough to be indifferent. You can feel the one million mutinies in his body, the many revolts amongst his many sensations, when he takes Fredo's face in his hands, with a strange conviction and kisses him with the kind of spite that only a brother can warrant, he looks into Fredo's eyes and expresses himself as simply as he can, "I know it was you Fredo, you broke my heart". Fredo eventually has to die. Not because of vendetta or karma. He has to die because of the principle of causality. He has to die because a system has to work and he isn't strong enough to let the system sacrifice someone else or change the system. He has to die because, that is what happens to the traitors when a plan to de-throne the Emperor fails. It doesn't matter who you are. Brother, lover, friend. The Emperor is the emperor before being any of these things. And if precedent, convention and causality call for death, a dispassionate death, one even without a simple motivation of vengeance, so be it.
You see what this system of forgiveness doesn't take into account is the fact that a mistake is accidental. A mistake can be forgiven. But a plot to de-throne the Emperor, isn't a mistake. It's a bad decision. And by the principal of causality all bad decisions must live through their consequence, "one ill turn deserves another". I'm only writing this because of the astonishing number of people who don't understand the difference between 'a bad decision' and a mistake. Because of the number of people who've tried to teach me the virtues of forgiveness. People have to go long distances to earn forgiveness. Earn being an important verb. I hate it when 'forgive' becomes the verb. Forgiveness must be earned, not gotten. It's hard to earn forgiveness. Judas had to hang himself.
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